THE 5 BEST Nikon Lenses for Travel Photography

Best Nikon Lenses for Travel Photography

Are you going on a trip with your Nikon camera and looking for a new lens? Sorting through the host of lens options can leave your head spinning. From zoom lenses versus prime lenses to different aperture sizes and focal lengths— there are tons of factors to consider. I have used a total of 10 different lenses over the last several years for my photography endeavors and this article lays out my picks for the best Nikon lenses for travel photography.

If you use a Canon or Sony platform for your travel photography, check our lists of the best Canon lenses and best Sony lenses for travel. If you need something more compact than DSLR or mirrorless cameras with interchangeable lenses, check out our list of the best compact cameras for travel photography.

A Quick Review of Some Photography Terms:

Just in case you need a refresher on some photography lingo, here are some important terms to know when purchasing a lens in order to understand the tradeoffs you might be making:

  • FOCAL LENGTH: focal length is the distance between the focal point (where the light captured by the lens converges into a focused image) and the sensor of the camera. It is measured in millimeters. A longer focal length will be more “zoomed in” where as a shorter focal length will be more zoomed out.
  • APERTURE: aperture size is measured with the f/stop. F/stop is actually a ratio between the length of the lens focal length and the diameter of the aperture opening. You may have seen it as something like f/1.4. This is an abbreviation and the full way to write this is as f 1/1.4, with the 1 representing the length of the focal length and the 1.4 representing the diameter of the aperture. This means that the lower the f/stop number (i.e. f/2.8 versus f/1.4), the wider the aperture. Additionally, halving of the f/stop represents a doubling of the level of exposure. So for example, f/1.4 will result in twice the exposure of f/2.8. Wide apertures do two things: 1, allow more light to hit the sensor, increasing the exposure, and 2, create a more shallow depth of field, which is the amount of space in focus. This is a large contributor to the amount of bokeh, or background blur, present in a photograph.
  • ISO: This term originates from film photography, where an ISO level was fixed for each type of film. Higher ISO meant a higher level of exposure on an image. In digital cameras today, ISO is actually a form of in-camera post processing. Increasing your ISO may increase the exposure of your image without having to change the other settings, but it also runs the risk of making your photo extremely grainy. I recommend that you increase ISO only as a last resort when taking a photo.
  • STOP (OF EXPOSURE): a stop of exposure is a relative measurement of the amount of light that the sensor is being exposed to. An increase of one stop of exposure equates to a doubling of the amount of light hitting the sensor, and a decrease of one stop of light equates to a halving of the amount of light hitting the sensor.

My picks for the 6 best Nikon lenses for travel photography:

Overall Best Nikon Lens for Travel Photography:

best nikon lenses for travel photography

Nikon NIKKOR Z 24-70mm f/2.8 S Lens (~$2100)

The Nikon NIKKOR Z 24-70mm f/2.8 S lens is incredibly popular for good reason. The lens’ focal length allows for extreme versatility while also allowing for a wide enough aperture for low-light shots.

This lens will also give you the background-foreground compression of a telephoto lens for dramatic scenes and flattering travel portraits. As far as performance, image quality is unmatched and the autofocus is precise and fast. 

When taking travel photos, I want something that gives me a lot of options. I find the wider angle lenses in the 24mm to 40 mm range tend to be best for things like travel portraits and street photography because they include more of the environment in the photograph without having to get extremely far away.

The downside of this lens is its size and weight. The Nikon NIKKOR Z 24-70mm f/2.8 S weighs about 1.8 lbs. This may add an unwanted burden while in transit during your travels or on hikes. 

In my opinion however, the functionality is well worth it. But if you’re traveling light, you may want to choose a prime lens instead.

There is also a budget version available from Sigma with the older DSLR F-Mount, which will run you around $1200.


  • Can zoom between wide angle (24 mm) and telephoto (70 mm)
  • Good low-light performance due to the f/2.8 aperture
  • Crystal clear image quality
  • Built-in Image Stabilization


  • Pricey
  • Heavy (nearly 1.8 lbs)

Overall Best Nikon Prime Lens for Travel Photography:

Best Nikon Prime lens for travel photography

Sigma 35mm f/1.4 DG HSM ART for Nikon F (~$700)

Staying true to Sigma’s reputation of bringing high quality at affordable prices, this lens clocks in under $1000 – an excellent price for a premium lens. This lens packs a punch. The super versatile 35 mm focal length and the f/1.4 max aperture allows for a super shallow depth of field.

The lens also has excellent low light performance and you should be able to use this lens for almost any travel photography task. The weight on this lens is 1.47 lbs which is a bit on the heavier side, so it may not be the best option if you are looking to travel light. But for what you’re getting in terms of performance, the camera’s weight shouldn’t be a dealbreaker.

This lens uses the Nikon DSLR F-Mount, so if you have a newer mirrorless Nikon camera, you will need a lens adapter.


  • Shallow depth of field (very blurry background)
  • Excellent low light performance
  • Under $1000


  • Heavy (1.47 lbs)
  • Fixed focal length (unable to zoom)
  • Not weather sealed

Best Budget Nikon Zoom Lens for Travel Photography:

best nikon budget zoom lens for travel photography

Nikon 18-135mm f/3.5-5.6G (~$390)

The Nikon 18-135mm f/3.5-5.6G lens is hands down the best Nikon travel lens under $500. The focal length variability is borderline shocking- with the ultra-wide angle 18 mm length to the telephoto being at 135 mm. This is more than enough for practically any task. Its variable aperture of f/3.5 to f/5.6 will be adequate for brighter lighting conditions. You should be able to get good photos in slightly darker conditions too though, since this lens has built-in image stabilization. 


  • Massive zoom range
  • Under $500
  • Built-in image stabilization for clear shots in lowlight


  • Limited aperture 
  • Made for Crop Sensor Cameras

Best Nikon Lens for Landscape Photography:

16-35 mm sony landscape photography lens

Nikon NIKKOR Z 14-24mm f/2.8 S (~$2300)

While photographing landscapes in the past, I’ve often found myself wishing I had a wider lens. Wide lenses are ideal for landscape photography because they give the camera a larger field of view than the human eye is capable of. This widened effect is excellent for capturing the vastness of a landscape scene.

The best Nikon lens for landscape photography is the wide-angle Nikon NIKKOR Z 14-24mm f/2.8 S lens. Whether shooting on a hike or capturing a cityscape, this lens perfectly preserves every micro-detail of a landscape scene. 

The f/2.8 maximum aperture is more than enough for shooting landscapes in darker lighting conditions as well, and any night time or low-light photography can be done with a tripod, eliminating the need for an ultra wide (and expensive) f-stop.

Paired with a high-megapixel sensor such as the one in the mirrorless Nikon Z 7II, you will be able to greatly crop in your images if needed as well as print your landscape photos in large format while maintaining perfectly crisp detail.


  • Wide angle focal length
  • Variable zoom
  • Excellent image quality


  • Pricey (over $2000)
  • Heavy (1.44 lbs)

Telephoto Lenses for Landscape Photography: 

Some photographers, including famous landscape photographer Peter Lik, will elect to use telephoto lenses in the 200-800+ mm focal length to create a unique compression distortion on a landscape scene. Compression is where the background and foreground look much closer together than they actually are. This technique is responsible for photos you may have seen where the moon looks giant relative to a person, tree, or other object in the foreground. The moon actually hasn’t been edited to look giant. Rather, the photo was taken from very far away from the foreground object, and so from that distance, the moon looks much larger relative to the object.

To illustrate, here is a photo I took of a Peter Lik print titled “Bella Luna”:

Telephoto Sony lens for travel photography

In my experience, most people will want to use a wide-angle lens for a majority of their landscape photography endeavors. If you are trying to execute specific shots that require compression, however, you may want to invest in a telephoto lens. Ultimately it’s up to you.

The Nikon Nikkor Z 180-600mm f/5.6-6.3 VR is a powerful Nikon telephoto option, though you will probably also need a tripod to properly utilize this lens.

Best Weather Sealed Nikon Lens for Travel Photography:

best weather resistant nikon lens for travel

NIKKOR Z 24-120mm f/4 S (~$1100)

The NIKKOR Z 24-120mm f/4 S lens is weather-sealed and comes with a huge focal length range and a respectable f/4 minimum aperture. It also comes with a powerful image stabilization system, making it much easier to shoot at slower shutter speeds. I based this my final pick for best weather resistant lens off of two assumptions: 

  1. Bad weather that would warrant a weather sealing will also imply a darker scene, meaning the max aperture needs to be wide. Though f/4 is not the widest, the image stabilization makes up for that
  2. This lens can’t be too expensive, as bad weather implies increased danger of camera drops. While ~$1,100 is certainly not cheap, it has a much more affordable price than the $2,000+ of the Nikon NIKKOR Z 24-70mm f/2.8 S


  • Excellent weather sealing
  • Excellent autofocus speed and precision
  • Image stabilization (no blur even at slow shutter speeds)
  • Moderate price for value


  • Heavy (1.39 lbs)
  • Still may be out of the budget range
  • f/4 focal length can be limiting in low-light conditions
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